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The Miami Pop Festival Interview Page

 



                           


Jimi Hendrix Frank Zappa Blue Cheer Play The Miami Pop Festival 
Interviews with Blue Cheer 

 Leigh Stephens Guitarist of Blue Cheer


Here is What Leigh Stephens had to tell us about Blue Cheer and The 1968 Miami Pop Festival /asked by Jack Connell

1. What concerts did you do before Miami Pop 1? (Leigh) Blue Cheer was touring the U.S. at the time. We were concentrating on the east coast at that moment. We were playing 300 days out of the year.

2. How long had Summertime Blues Been Out ? Was that the beginning of the general public getting to know you? (Leigh) The song had been out for about 3 or 4 months. People just seemed to know who we were.

  I'm trying to establish a small Bio of Blue Cheer. Is there any Link I can have access to get this Bio Info from?(Leigh) Blue Cheer has a site I believe but you will have to google it. I don't know it off hand.

3. Do you get to do any other gigs with Jimi Hendrix ? Describe the experience of being on the same bill as JEH. (Leigh) We had played with Hendrix before in Los Angeles at the Shrine Auditorium. While we were playing Hendrix was filming us with his super 8 camera. Very intimidating.

4. Was Blue Cheer slated to Play the 2nd day which got rained out? (Leigh)  I don't think so or at least I don't remember.

5. Did the band get the chance to do the jam at the Castaways Bar with Zappa, and Jimi? (Leigh) I was too young to go into the bar so stayed in my room with a friend.

6. What was your Impression of The South Florida area, did they give you guys any problems being LONG HAIRED FREAKS! I had my fair share of abuse in South Fla. Back then. (Leigh) We didn't have any problems in Florida. We did have problems in Ohio. We were refused service in restaurants.

7. I would like to get a idea of exactly what your role was with the band at the time of the festival. (Leigh)  I was just the guitar guy and contributed to the song writing.


8. Did you get to play at Woodstock? Talk about any of the 69'Festival tour (Buffalo tour)? (Leigh)   I was gone from the band before Woodstock and living in London. I don't remember a Festival Tour.

9. Blue Cheer was the most popular Rock band at Miami Pop Festival at that time, you were better known than any other band except Chuck Berry. When you think back what went through your mind when you saw Jimi Hendrix fly in on a chopper. (Leigh)  I don't remember seeing him arrive. I knew he was there because Linda Eastman (who had been on our tour bus for several weeks), showed up and I remember that she was bleaching the ends of his hair blond before the  gig at the hotel.


10. What was The crazy world of Arthur Brown like? (Leigh)  They were great and bizarre. I really liked them

11. Were there any acts there that you were excited to see? (Leigh)  Well yeah, the Mothers, Hendrix, Arthur Brown

12. You are quite a guitarist, I have heard you could be a studio guitarist. Whos music did you like the most from the festival? (Leigh)  Zappa, Hendrix, Hooker, Berry. I like them all

13. How did your power sound come to be, you were doing that before any one else.  Was the that natural from the Band's Chemistry, or a style brought in from the ear of one of you? (Leigh)  I remember one day talking to one of the managers and going down and ordering 6 stacks of Marshalls. I don't know why I thought we needed it but the wind from the speakers would blow your hair.

14. Did Blue Cheer ever have a Mission Statment or Major Plan in the beginning ? How did it turn out? (Leigh)  No plan, no mission  

15. What would you like to say to those that went to Miami Pop That read this. (Leigh)  I hope that somehow that day influenced you all somehow possitively

16. Any thing you would like to talk about that I haven't touched on?  (Leigh)  Yeah it was so freakin hot that Jimmy Carl Black from the Mothers and a few others rode the limos back and forth until we had to play because the air conditioning at the Castaways did not work. Also I tried to talk to Hendrix's roadies because my fuzz face melted in the heat and did not work. He of course did not have to worry because he played later and it was cooler.


17. I would like to know what Leigh Stephens has been doing lately, and briefly for the last 40 years. Are you still involved in the Blue Cheer?  I know you have been busy this gives you a chance to share what you  are working on or might want to bring light to .  (Leigh)  I am just finishing up a collaborative cd with Tracey Adamis as producer and arranger. Tracey is a gifted songwriter / singer / keyboardist. It is 10 original songs with great musicians. I provide all the guitar as well as engineering the project. Should be out hopefully before the end of the year. Check out my MySpace sight and or leighstephens.net for news about it's release.

18. Are you planning any tours in th US in the future?  (Leigh)  Hopefully Tracey will be a big star and we tour the world. Other than that I should be at the West Fest in Golden Gate Park October 25th for the 40th anniversary tribute to Woodstock. I think I am playing with Greg Douglass (Steve Miller Band) and Mario Cippolina ( Huey Lewis) and again with Melissa Olsen and Tracey Adamis..



 




Look For Soon to come audio interview with Dickie Peterson of Blue Cheer during August 2009






 

Here is What Eric Albronda ( Blue Cheer Original Drummer and Producer) has to share with us
about what happened around and during The 1968 Miami Pop Festival May 18th 1968:


1. What concerts did you do before Miami Pop 1?
Eric Albronda :
MIAMI WAS ABOUT 3/4 THE WAY THROUGH BLUE CHEERS FIRST NATIONAL TOUR 

WHICH LASTED A GRUELING NINE MONTHS ---

PREVIOUS TO THIS GIG WE HAD PLAYED THE FILLMORE AUDITORIUM AND AVALON 

BALLROOMS IN SAN FRANCISCO , GIGS IN PORTLAND AND SEATTLE AND LOS 

ANGELES , DENVER , CHICAGO AND NEW YORK TWICE AD PITTSBURGH AND 

DETROIT AND BOSTON AND ORLANDO AND MANY MIDWEST GIGS IN AND AROUND 

CHICAGO AS OUR RECORD COMPANY WAS IN CHICAGO, MERCURY RECORDS 

RELEASED ON THE PHILLIPS LABEL,

2. How long had Summertime Blues Been Out ? Eric Albronda: 

SUMMERTIME BLUES HAD BEEN OUT SINCE FEBRUARY 1968, IT WAS RELEASED IN 

THE WINTER , WOLFMAN JACK BROKE THE RECORD AS WELL AS TONY PIG ON SAN 

FRANCISCO'S RADIO STATION KYA IN SAN FRANCISCO, TONY PLAYED DOCTOR 

PLEASE , ONE OF THE HEAVIEST DOPE SONGS I KNOW OF FOR THE COMPLETE 12 

PLUS MINUTES AT 5:00 PM IN THE AFTERNOON, THIS WAS A STRAIGHT TOP 40 

STATION AND HE WAS SUBSEQUENTLY FIRED FOR DOING THIS BUT HE DID NOT 

CARE AS HE WANTED TO GO TO WORK AT KMPX , A NEW FM FORMAT RADIO 

STATION IN SAN-FRANCISCO WHICH LATER BECME THE PROTOTYPE OF FM MUSIC 

STATIONS AT THE TIME.

3. Was that the beginning 
of the general public getting to know you?Eric Albronda :

AT THE TIME OF BLUE CHEERS RELEASE OF SUMMERTIME BLUES THEY HAD ABOUT 

50,000 ADVANCE ORDERS BECAUSE THEY HAD PLAYED LIVE EXTENSIVELY IN SAN 

FRANCISCO, AND LOS ANGELES AND MOST OF THE WEST COAST , INCLUDING THE 

OPENING OF THE DENVER DOG  WITH JANIS JOPLIN AS AN ASIDE JANIS LIVED 

WITH US IN NEVOTO CALIFORNIA FOR A SPELL AS SHE WAS IN LOVE WITH PAUL 

WHALEY THE DRUMMER OF BLUE CHEER----

 

4. Do you get to do any other gigs with Jimi Hendrix ? Describe the

experience of being on the same bill as JEH.Eric Albronda :

WE HAD SEVERAL ENCOUNTERS WITH JIMI AND BAND ----FIRST WOULD HAVE 

BEEN THE GIG AT THE SHRINE AUDITORIUM  IN LOS ANGELES ON THE BILL WAS 

ALSO THE ELECTRIC FLAG WITH MICHAEL BROOMFIELD ---OF PARTICULAR NOTE 

WAS THAT JIMI AND NOEL AND MITCH  CAME OUT OF THEIR DRESSING ROOM AND 

SAT JUST OFF STAGE AND LISTENED TO THE ENTIRE BLUE CHEER SET AND WERE 

VISIBLY MOVED AT THE PERFORMANCE ---I WAS STANDING NOT TWO FEET 

BEHIND THEM THE ENTIRE TIME ---THE SECOND TIME WOULD HAVE BEEN WHILE 

RECORDING AT THE RECORD PLANT IN NEW YORK WITH EDDY  CRAMER AS 

ENGINEER BOTH BANDS WERE RECORDING ALBUMS AT THE TIME AND EDDY WOULD 

PLAY US THE HENDRIX TAPES JUST AS THEY WERE DONE SO WE HERD THE 

ENTIRE AXIS , BOLD AS LOVE ALBUM BEFORE IT WAS MIXED AND RELEASED ----

ALSO WE WERE STAYING AT THE SAME HOTEL WHICH WAS THE LINCOLN SQUARE 

MOTER INN IN NEW YORK CITY WE CROSSED PATHS SEVERAL TIMES IN THE 

LOBBY OF THE HOTEL.

HENDRIX WAS NOT ONE TO SOCIALIZE MUCH, HOWEVER NOEL REDDING BECAME 

FRIENDS ---THEN NATURALLY AT THE MIAMI POP FESTIVAL WE HUNG OUT WITH 

ALL OF THE MUSICIANS FROM THE SHOW AND LINDA EASTMAN---ALSO IN LOVE 

WITH PAUL WHALEY AT THE TIME AND WENT ON THE ROAD WITH US IN THE 

MIDWEST IN OUR BUS FOR ABOUT 2 WEEKS BEFORE WE SENT HER TO LOS 

ANGELES INTO THE GRASP OF PAUL MCCARTNEY WHO HAD BEEN PURSUING HER AT 

THE TIME.

 

5. Was Blue Cheer slated to Play the 2nd day which got rained out?Eric Albronda :
YES WE WERE SCHEDULED AND BY THE WAY THE PROMOTER REFUSED TO PAY ANY 

OF THE BANDS IN A MOST RUDE MANNER , NOT TO BE FORGOTTEN BUT THE 

SPECIFICS WILL BE LEFT OUT FOR FEAR OF LEGAL ACTION

6. Did the band get the chance to do the jam at the Castaways Bar with

 Zappa, and Jimi?Eric Albronda :
WE WERE ALL THERE WHEN THAT WAS GOING ON BECAUSE THE PROMOTER HAD AN 

ENTIRE WING OF THE CASTAWAYS BLOCKED OFF FROM THE PUBLIC , 

PHOTOGRAPHERS AND THE POLICE --A BIG ROOM WHERE WE ALL HUNG OUT AND 

SOCIALIZED AND JAMMED -

I DO NOT RECALL BLUE CHEER ACTUALLY PLAYING IN A JAM BUT THAT IS NOT 

SURPRISING AS MOST MUSICIANS WERE INTIMIDATED BY THEM AND NOT LIKELY 

TO ASK THEM TO PLAY----

7. What was your Impression of The South Florida area, did they  give you guys any problems being LONG HAIRED FREAKS! 
Eric Albronda:

AS I SAID WE WERE COMPLETELY ISOLATED FROM THE PUBLIC AND FELT SAFE 

---THEY DID NOT WANT ANY INCIDENTS AS YOU DESCRIBED TAKING PLACE --I 

DID MAKE A CAB EXCURSION OUT TO THE MIDDLE OF NO PLACE TO PROCURE 

SOIME SMOKE WHICH WAS SOME OF THE BEST I EVER HAD-- COLUMBIAN GOLD , 

AND PANAMA RED ----NOEL REDDING CAME INTO MY HOTEL ROOM AND ASKE IF 

HE COULD ROLL ONE AND I NATURALLY SAID YES ---HE PROCEEDED TO ROLL 

THE ENTIRE LID IN ONE JOYNT AS ONLY THE ENGLISH COULD DO WITH ABOUT 

10 PAPERS AND COMPLETE WITH A FILTER AT THE END ---JUST TOO FUNNY AND 

OH SO GOOD .

8. I would like to get a idea of exactly what your role was with  the band at the time of the festival.
Eric Albronda:

MY JOB WAS TO BE RESPONSIBLE FOR EVERYTHING EXCEPT ACTUALLY PLAYING 

THE MUSIC --I WOULD JAM WITH THEM A LOT ON DRUMS AS THAT WAS MY 

INSTRUMENT  AND THEY SEEMED TO WELCOME THE CHANGE IN STYLE WHICH I 

OFFERED ---

9. I would like to know what Eric Albronda  has been doing lately, and briefly for the last 40 years. Are you still involved in the Blue  Cheer ? 

Eric Albronda:
YES I AM STILL INVOLVED WITH BLUE CHEER AS TRY AS I MIGHT SOMETIMES 

IT IS NOW PART OF MY SOUL AND I WILL ALWAYS BE PART OF THE BAND ---

THEY NOW MOSTLY PLAY IN EUROPE AND AT FESTIVALS BUT I AM IN PHONE 

CONTACT WITH DICKIE A LOT OF THE TIME ----THEY HAVE ASKED ME TO HELP 

THEM PRODUCE SOME OF THEIR MUSIC HOWEVER THEY CANNOT PAY ME WHAT I 

WOULD REQUIRE AND I ALSO HAVE A LIFE ----I WILL GO INTO THE RECORDING 

STUDIO ON OCCASION ABOUT EVERY COUPLE OF YEARS TO DO ONE PROJECT OR 

ANOTHER AS CAN BE SEEN AT THE FOLLOWING :

http://www.bluecheer.us/archive/ericalbronda.htm 

MY GOOD FRIEND GEORGE MICHALSKI WAS THE MUSIC DIRECTOR FOR THE NASH 

BRIDGES TV  SHOWS AS HE IS TIGHT FRIENDS WITH THE ACTOR DON JOHNSON 

SO WE WOULD GO INTO THE STUDIO AND RECORD BITS AND PIECES FOR THE 

SHOW --THAT WAS GREAT FUN----I ALSO HAVE A BUSINESS OF RETAIL 

CLOTHING WHICH I IMPORT FROM INDONESIA, NEPAL, ECUADOR AND NEW 

ZEALAND --MOSTLY I DO CRAFT FAIRS IN CALIFORNIA AND OREGON----WEB 

SITE FOR BUSINESS:
http://www.vickibrennerent.com/



 

FOLLOWING IS A STATEMENT OF THE TIME OF THE MIAMI POP FESTIVAL-

AS A CO FOUNDER OF THE BAND BLUE CHEER I ALWAYS FELT THAT THERE WAS A 

TRUE MUSIC RENAISSANCE AT THE TIME AND MANY OF THE ESTABLISHED 

BOUNDARIES IN MUSIC WERE BROKEN AND NEW AND EXCITING MUSIC CAME OUT 

OF THAT ERA.

BLUE CHEER HAS BEEN DUBBED AS THE ORIGINATORS OF HEAVY METAL MUSIC 

AND I BELIEVE THIS IS TRUE.

NEEDLESS TO SAY THE MIAMI POP FESTIVAL WAS ONE OF THE GREATEST EVENTS 

EVER AND I FEEL SO LUCKY TO HAVE BEEN PART OF THAT EVENT . RUBBING 

ELBOWS WITH HENDRIX, ZAPPA , JOHN LEE HOOKER , LINDA EASTMAN ( NOT 

ELBOWS IN HER CASE), AND THE REST WAS MOST ASSUREDLY THE MOST 

EXCITING TIME OF MY MUSIC LIFE.

 

ERIC ALBRONDA

 

 








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